Plot: Charles Foster Kane has died, and his final word was “Rosebud.” Everyone clamors to know if this word held the key to understanding the former media-mogul-turned-recluse. So we get a series of flashbacks that explain Kane’s life.
Best Moment: I mean, with Gregg Toland as cinematographer, the entire movie is a best moment. There’s not a frame that doesn’t appear to be shot and lit with painstaking thought and detail. There’s a reason why Citizen Kane repeatedly shows up as the best film ever made. It really is a piece of art.
Worst Moment: Every single time I watch this movie, I fall asleep, and that includes the time that I took a small group of students to the local non-profit cinema for a free screening. I don’t know what it is about this movie that puts me to sleep, but it doesn’t matter where I see it or whether I feel rested: this film is chloroform to me at any given moment.
Epiphanies: For all the hand-wringing and pearl-clutching we all do about “journalists these days” or “capitalism is destroying our democracy” or any number of connections between media, politics, and everyday life, we sure have short memories. Perhaps this is also part of what makes the film so good–its themes are timeless.
Fun Facts: This film was edited by Robert Wise, who 20 years later would direct West Side Story and The Sound of Music. Also, spoiler, if you didn’t know, Rosebud was his childhood sled. And if you haven’t seen Season 5, Episode 4 of The Simpsons, well, it’s a direct parody of Citizen Kane. Worth your time.
Recommendation: See it. Every time I watch it, I am blown away by the precision of every shot and that alone is worth your time, even if you fall asleep at some point.